![]() ![]() Season Two follows a similar formula to the original series. Thankfully, a second season was made possible due to British television network Channel 4 picking up the series, giving DHMIS all-new life and personality. But ultimately this new direction was scrapped and the teaser was deleted from their YouTube channel and the pilot never officially aired. ![]() The pilot aired at the 2019 Sundance Film Festival alongside other short films. ![]() In 2018, a teaser trailer titled “Wakey Wakey…” was released, teasing a new television season starring the hapless puppets. In 2017, a year after the series seemingly concluded, Sloan teased that DHMIS could make a return. After the conclusive sixth episode, people began speculating when we would see the return of the quirky characters and the horrible situations they find themselves in. It was a viral sensation, which inspired Sloan and Pelling to continue the series. Filled with easter eggs and strange continuity, DHMIS had a whole community of people creating theory videos in order to uncover the secrets laid through the series. It’s more than just a horror short with shocking images meant for funny YouTubers to react and scream to for clicks the series created a whole community of people trying to dissect the meaning of each episode. What if this was Evil?Īs we know now, the first episode was an instant hit, accumulating over 71 million views as of this time. The first episode, in-particular, follows a notebook educating the three and singing about expressing yourself through creativity and imagination, only for the moral to begin contradicting itself and becoming increasingly nonsensical as it begins telling the characters how to think and create an obvious commentary on the education system and children’s programming making you believe there can only be one way of thinking. As you should know by now, things eventually go horribly and violently wrong as the lesson becomes much more serious and dire. They live together in a little house where they are occasionally visited by a puppet who sings about a lesson centered around their day. They have no known canonical names throughout the series, but are commonly referred to as Yellow, Duck, and Red by viewers respectively. It follows three characters who follow ordinary everyday lives a little yellow puppet with overalls who’s not the sharpest tool in the shed, a green bird, and a tall lobster-like fellow who’s played by an actual performer unlike his puppet companions. The series touches on subjects like existentialism, depression, and the internet, all while disguised as lessons on nutrition, time, transportation, and friendships, among other things. To those that have just woken from a deep (approximately) 11 year-long sleep, DHMIS satirizes children’s educational programming, putting a spin on it through dark humor, psychological horror, psychedelic imagery, and social commentary. But when the first episode exploded in popularity, they revisited the idea. ![]() They planned on doing a whole series as they were planning out the first episode, but due to the struggle and hardships of making the first episode, the idea was originally scrapped. The crew created a cast of puppet characters akin to those from Sesame Street. They joined together and found their studio THIS IS IT Collective to create the first episode of Don’t Hug Me I’m Scared with approximately the budget of the spit on my shoe. Beginning with…Ĭreated in 2011, acclaimed horror web-series Don’t Hug Me I’m Scared was the brainchild of Becky Sloan and Joe Pelling, who met while studying Fine Arts and Animation at Kingston University. Together, Luke and Victiny will give their own perspectives on the series and give some context on why DHMIS is so ruinously effective as a piece of web series horror, and the cultural impact it’s made. Which now brings us to Don’t Hug Me I’m Scared. But one of these stand out among the rest of such an oversaturated genre, and one that took the internet by storm and arguably began the culture of theory videos and community brainstorms. But it works so many trendy games share this same concept of something child-like being molded into something horrifying. It used to be a novel concept just take something that appears childish and cute and put them into a horrific setting, or to have a deceptively innocent character and put them in an adult world of sex, drugs, and violence. To say media of cutesy things that appear targeted to a younger audience being subverted into something terrifying, violent, and coarse is a trope that’s been beaten to the ground that it no longer has any impact is an understatement. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |